Multi-instrumentalist, Madeline Johnston, wrote, recorded, and produced, her latest album in lockdown, and used the time to apply a degree of forensic introspection. Not necessarily a new phenomenon in these challenging times, but this album reveals a multitude of layers and rewards with each listen. Johnston is a self-taught guitarist who wields her instrument with unconventional poise, emitting corrosive ocean-wide drones and flourishes of colour – earning Midwife her own genre of Heaven Metal. When the keyboard takes over we’re wandering in a miniature world of melody with delicate soaring vocals. Confinement, self-harm, isolation, and control, are recurrent themes, and although dark, it doesn’t feel defeatist, as there’s a sinuous cathartic strength at work – interestingly the image on the cover is Johnston’s mother at the age Midwife was when recording the album, underlining the reflective punctuation point in life. Full immersion is recommended.
Apr 6, 2024
Sebastian Bischoff aka Son Of Buzzi takes us on a trip round Zurich stopping off at some very cool venues. EL LOKAL: For me, the first and therefore special music venue in Zurich is the El Lokal. When I moved to Zurich in 2010 it was my first port...

